Dossier Laméca

Le gwoka.
Entre anticolonialisme et post-colonialisme

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SOMMAIRE
1. Introduction. Le gwoka, un champ aural d'engagements politiques complexes
2. Tambour et auralité coloniale
3. Le gwoka comme auralité anticoloniale
4. Les deux créolisations de Guy Konkèt
5. Jazz et gwoka : Auralité créole ou diasporique ?
6. Le gwoka dans une auralité postnationaliste
Illustrations musicales
Bibliographie
Conférence audio

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par Dr Jérôme Camal

© Médiathèque Caraïbe / Conseil Départemental de la Guadeloupe, mai 2018 - juillet 2022