Dossier Laméca
Musique Marronne des Guyanes
BIBLIOGRAPHIE
Bilby, Kenneth M. 2024. Le caractère unique et l'importance des traditions musicales des peuples marrons du Suriname et de la Guyane dans une perspective internationale. MCMG Maison des cultures et des mémoires de Guyane.
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Adekoya-van Geelen, Simone.
Marroncultuur in een modern jasje: een studie naar Surinaamse Marronjongeren in Nederland en hun verbintenis met Surinaamse Marronmuziek en -cultuur. M.A. Thesis, Radboud Universiteit, 2007.
Agerkop, Terry, Kenneth Bilby, and Peter Manuel.
“Suriname.” In Stanley Sadie, ed. The New Grove Dictionary of Music and Musicians, new revised edition, Volume 24, 721-725. London: Macmillan, 2001.
Apollinaire, Anakesa. 2015. “Le « dire musical » pour la liberté dans le processus du marronnage chez les Bushinengé de Guyane : thème et variations.” In Jean Moomou (ed.) Sociétés marronnes des Amériques : Mémoire, patrimoines, identités et histoire du XVIIe au XXe siècles. Matoury, Guyane Française: Ibis Rouge, pp. 377-393.
Bilby, Kenneth.
“La musique aluku: un héritage africain.” In Marie-Paule Jean-Louis and Gérard Collomb, eds. Musiques en Guyane, 49-72. Cayenne: Bureau du Patrimoine Ethnologique, 1989.
Bilby, Kenneth.
The Remaking of the Aluku: Culture, Politics, and Maroon Ethnicity in French South America. Ph.D. Dissertation, Johns Hopkins University, 1990.
Bilby, Kenneth.
“War, Peace, and Music: The Guianas.” Hemisphere 1(3):10-12, 1990.
Bilby, Kenneth.
“The New Music of French Guiana: Maroons and Reggae.” The Beat 10(4):34-38. 1991.
Bilby, Kenneth.
“‘Roots Explosion’: Indigenization and Cosmopolitanism in Contemporary Surinamese Popular Music.” Ethnomusicology 43(2):256-296, 1999.
Bilby, Kenneth.
“Maroons and Contemporary Popular Music in Suriname.” In Ralph Premdas, ed. Identity, Ethnicity and Culture in the Caribbean, 143-154. St. Augustine, Trinidad and Tobago: University of the West Indies, 1999.
Bilby, Kenneth.
“Aleke: nieuwe muziek en nieuwe identiteiten.” OSO 19(1):49-58, 2000.
Bilby, Kenneth.
“Making Modernity in the Hinterlands: New Maroon Musics in the Black Atlantic.” Popular Music 19(3):265-292, 2000.
Bilby, Kenneth.
“Aleke: New Music and New Identities in the Guianas.” Latin American Music Review 22(1):31-47, 2001.
Bilby, Kenneth and Diana Baird N’Diaye.
“Creativity and Resistance: Maroon Culture in the Americas.” In Peter Seitel, ed. 1992 Festival of American Folklife, 54-61. Washington, DC: Smithsonian Institution, 1992.
Bilby, Kenneth and Rivke Jaffe.
“Marronmuziek: tussen traditie en mondialisering.” In Alex van Stipriaan and Thomas A. Polimé, eds. Kunst van Overleven: Marroncultuur uit Suriname, 166-175. Amsterdam: KIT Publishers, 2009.
Bilby, Kenneth and Rivke Jaffe. "'Real Bushinengué': Guianese Maroon Music in Transition." In Olívia Maria Gomes da Cunha (ed.), Maroon Cosmopolitics: Personhood, Creativity and Incorporation. Leiden: Brill, pp. 330-349, 2019.
Campbell, Corinna.
Personalizing Tradition: Surinamese Maroon Music and Dance in Contemporary Urban Practice. Ph.D. Dissertation, Harvard University, 2012.
Campbell, Corinna.
"Modeling Cultural Adaptability: Maroon Cosmopolitanism and the Banamba Dance Contest." In Olívia Maria Gomes da Cunha (ed.), Maroon Cosmopolitics: Personhood, Creativity and Incorporation. Leiden: Brill, pp. 307-329, 2019.
Campbell, Corinna. Parameters and Peripheries: Interpreting Maroon Music and Dance in Paramaribo, Suriname. Middletown, Connecticut: Wesleyan University Press, 2020.
Hoogbergen, Wim.
The Boni Maroon Wars in Suriname. Leiden: Brill, 1990.
Hoop, Carlo.
“De magische vetheid van het geluid.” OSO 19(1):117-121.
Hurault, Jean.
Les Noirs Réfugiés Boni de la Guyane française. Dakar: IFAN, 1961.
Hurault, Jean.
Africains de Guyane. The Hague: Mouton, 1970.
Jaffe, Rivke and Jolien Sanderse.
“Surinamese Maroons as Reggae Artistes: Music, Marginality and Urban Space.” Ethnic and Racial Studies 33(9):1561-1579, 2010.
Moomou, Jean.
Les Bonis à l’âge de l’or et du grand takari (1860-1969): “Temps de crise, temps d’espoir.” Thèse doctorale, Centre de Recherches Historiques, École des Hautes Études en Sciences Sociales, 2009.
Moomou, Jean.
Le monde des marrons du Maroni en Guyane (1772-1860). Matory, French Guiana: Ibis Rouge Éditions, 2004.
Pakosie, André R.M.
“Onstaan en ontwikkeling van de aleke: de popmuziek van de Marronstam der Ndyuka.” Siboga 9(1):2-24, 1999.
Price, Richard.
The Guiana Maroons: A Historical and Bibliographical Introduction. Baltimore: Johns Hopkins University Press, 1976.
Price, Richard.
“Maroons in Suriname and Guyane: How Many and Where.” New West Indian Guide 76(1/2):81-88.
Price, Richard.
Rainforest Warriors: Human Rights on Trial. Philadelphia: University of Pennsylvania Press, 2011.
Price, Richard.
Peuple Saramaka contre État du Suriname: Combat pour la forêt et les droits de l’homme. Paris: Karthala, 2012.
Price, Richard and Sally Price.
Two Evenings in Saramaka. Chicago: University of Chicago Press, 1991.
Price, Richard and Sally Price.
Les Marrons. La Roque d’Anthérons: Vents d’ailleurs, 2003.
Price, Sally and Richard Price.
Maroon Arts: Cultural Vitality in the African Diaspora. Boston: Beacon Press, 1999.
Price, Sally and Richard Price.
L’Art des Marrons. Châtaeuneuf-le-Rouge: Vents d’ailleurs, 2005.
Reijerman, Meike.
“Sranankondre a no paradijs: de constructie van localiteit in de populaire muziek van de Saramaka.” OSO 19(1):59-82, 2000.
Sanderse, Jolien.
Jonge Marrons als wereldburgers: de invloed van (mondiale) muziek op de identificatie en culturele representatie van jonge Marrons in Paramaribo. M.A. Thesis, Universiteit Utrecht, 2006.
Sanderse, Jolien and Rivke Jaffe.
“Jonge Marronmuzikanten: muziek en marginaliteit in Paramaribo.” OSO 26(1):43-60, 2007.
Sansone, Livio.
“The Making of Suriland: The Binational Development of a Black Community between the Tropics and the North Sea.” In Margarita Cervantes-Rodríguez, Ramón Grosfoguel, and Eric Mielands, eds. Caribbean Migration to Western Europe and the United States, 169-188. Philadelphia: Temple University Press, 2009.
Stedman, John Gabriel.
Narrative of a Five Years Expedition against the Revolted Negroes of Surinam. Complete Critical Edition, Edited and with an Introduction and Notes by Richard Price and Sally Price. Baltimore: Johns Hopkins University Press, 1988; iUniverse, 2010 (orig. 1796).
Stipriaan, Alex van.
“Muzikale creolisering: de ontwikkeling van Afro-Surinaamse muziek tijdens de slavernij.” OSO 19(1):8-37, 2000.
Weltak, Marcel.
“Afrikaans Surinaamse muziek.” OSO 19(1):38-48, 2000.
Weltak, Marcel, ed.
Surinaamse Muziek in Nederland en Suriname. Utrecht: Uitgeverij Kosmos and Surinam Music Association, 1990.
Wermuth, Mir.
“Ritme en rijm in de diaspora: Surinaamse jongeren en popmuziek.” OSO 19(1):122-136.
1968 Musique Boni et Wayana de Guyane (LP).
Recorded and Annotated by Jean Hurault. Disques Vogue/Musée de l’Homme LVLX 290.
1977 Music from Saramaka: A Dynamic Afro-American Tradition (LP).
Recorded and Annotated by Richard Price and Sally Price. Ethnic Folkways FE 4225.
1981 From Slavery to Freedom: Music of the Saramaka Maroons of Suriname (LP).
Recorded by Verna Gillis, with Notes by Richard Price. Lyrichord LLST 7354.
1992 Drums of Defiance: Maroon Music from the Earliest Free Black Communities of Jamaica (CD).
Recorded and Annotated by Kenneth Bilby. Smithsonian Folkways SF CD 40412.
1992 Tambours de la terre 1: Afrique-Amérique (CD).
Annotated by Laurent Aubert. Auvidis Ethnic B 6773.
1993 Switi: Hot! Kaseko Music (CD).
Dutch Rock Music Foundation SPN 010.
1993 The Spirit Cries: Music from the Rainforests of South America and the Caribbean (CD).
Produced by Mickey Hart. Annotated by Kenneth Bilby and James McKee. Rykodisc RCD 10250.
1994 Wailing Roots: Original Aloukou Soldiers (CD).
Déclic Communication 50364-2.
1995 Wailing Roots: Feeling & Dub (CD).
Mélodie ACP CG 014.
2002 I Greet the New Day: Classical Songs and Music of the Ndyuka Maroons of Suriname (CD).
Recorded and Annotated by André R.M. Pakosie. Stichting Sabanapeti and Radio Nederland Wereldomroep.
2003 Colombie: Palenque de San Basilio (CD).
Recorded and Annotated by Lucas Silva. Ocora C 560187.
2003 Roots de Guyane (CD).
Virgin PM 538 03098.
2004 Energy Crew and Friends: No More War (CD).
Sony (Paris).
2006 Aiatonda and Naya Bingi Foundation: Lobi Moes Dé (CD).
N.p. (Paramaribo).
2005 Faya Wowia: Bosikopoe, Vol. 3 (CD).
N.p. (Paramaribo).
2007 Cry Freedom: Lobi (CD).
N.p. (Paramaribo).
2007 Botty Man: The Best of Botty (CD).
N.p. (Paramaribo).
2007 Lavi Danbwa: Chants, musique, danses Aluku (CD).
Recorded and Annotated by Yvan Ho You Fat. Association Lavi Danbwa STAZ 020.
2007 Success Fighters: Aluku Liba (CD).
Rediarta SF.AL/01-07.
2007 Wan Ton Melody: Boun Na Soso fou Feni (CD).
Wan Ton Melody WM2797.
2008 Busikondé Sama de Guyane: Musique et chants traditionnels (double CD).
Recorded and Annotated by Apollinaire Anakesa. CADEG (Centre d’Archives de Documents Ethnographiques de la Guyane) RADdO AVPL 61.
2008 Positif Vibration: Busi Data (CD).
N.p. (Paramaribo).
2008 Riddim Espace Sound (CD).
SDRM 390706005.
2009 Melly (Meldric) and Friends: Probleem (CD).
N.p. (Paramaribo) CDR 3930.
2010 Music from Aluku: Maroon Sounds of Struggle, Solace, and Survival (CD).
Recorded, Compiled, and Annotated by Kenneth Bilby. Smithsonian Folkways SFW CD 50412.
1997 Aleke-Sound, part one (VHS videotape).
Directed by André R.M. Pakosie. ARMP Production.
2001 Une voix sur le Maroni (DVD).
Directed by Hélène Lee. France Mexique Cinéma, Radio France Outre-Mer, and Centre National de la Cinématographie.
2009 Aluku Liba: Maroon Again (DVD).
Directed by Nicolas Jolliet. ArtMattan Productions.
2009 Songe et Awasa: danses tradtionnelles Aluku (DVD).
Directed by Yvan Ho You Fat. CRDP Guyane and Association Lavi Danbwa.
2010 Let Each One Go Where He May (film).
Directed by Ben Russell. Ben Russell Productions.
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SOMMAIRE
1. Les « premiers temps » des Marrons des Guyanes
2. Culture afro-surinamaise : côte et intérieur
3. La musique dans la vie traditionnelle des Marrons
4. Étude de cas. Booko dei et puu baaka chez les Marrons de l'Est
5. Aleke. Épanouissement d'une musique Marronne néo-traditionnelle
6. Incursions des marrons dans l’univers mondialisé de la musique
Illustrations musicales
Bibliographie
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par Kenneth Bilby
© Médiathèque Caraïbe / Conseil Départemental de la Guadeloupe, 2016-2020